This is my fix for the Industar-69 28mm 1:2.8 pancake lens famous infinity focus problem. I read several tutorials and pieced them together and came up with this non-destructive hack that still allows an infinity stop and close focus stop with only one minor setback of the aperture scale mark.
I used a digital camera for this fix which I suppose 90% of the uses for this lens is but, if you have an old 35mm film camera with the M39, Leica screw mount (with a hinged or removable back plate) you can use this lens too, just use a frosted glass plate of some kind, a removable SLR focus screen works good, or I’ve even used scotch tape pulled tight over the film guides to focus test lenses.
Giving my 1937 Zeiss Ikon Contax II as best of a CLA (clean, lube, adjust) as I could without dismantling the mechanism itself, I doused with lighter fluid twice, avoiding the shutter slats, tapes and glue, which is fairly easy as, everything is on one side. then I oiled a few choice spots, avoiding escapements.
With the help from forum friends, I fixed a problem with the Infinity on the RF, the previous hacker put the longer screws on the RF side of the front plate and they were preventing the plano-convex lens from traveling all the way to the side. Continue reading 1937 Zeiss Ikon ~ Contax II CLA→
The Leica lens, E. Leitz Wetzlar “Summar” 50mm (5cm) f/2 is notorious for having internal haze, clouding images sometimes giving a desired warmth called “Leica Glow”. Some desire it for using as a portrait lens or other such use as the effect is warranted.
Before I show you how I got my 1939 Leica Summar lens apart to clean the haze, I first cleaned some kind of dried gunk on the front element that resembled very bad cleaning marks.
I had seen it before on my former 1936 Summar and other people complaining about their’s calling it cleaning marks, so it must be a somewhat common thing. This time it was more crusty, uneven looking that led me to believe it wasn’t just the glass itself.
I’ve given my 1953 Leica IIIf “red dial” a CLA, or Clean Lube and Adjust and now I need to replace the half-mirror, or beamsplitter in the rangefinder. The beamsplitter gives the double image that moves back and forth as you focus the lens until the two images become one, then it is focused. On older cameras, the beamsplitter, which is a half-mirror, or partially silvered so it is transparent as well as reflective, looses some it’s reflectiveness and is hard to focus.